Errors-To: admin at elephant-talk dot com Reply-To: newsletter at elephant-talk dot com Sender: moderator at elephant-talk dot com Precedence: bulk From: moderator at elephant-talk dot com To: newsletter at elephant-talk dot com Subject: Elephant Talk #1146 E L E P H A N T T A L K The Internet newsletter for Robert Fripp and King Crimson enthusiasts Number 1146 Thursday, 2 October 2003 Today's Topics: NEWS: ET donation scheme NEWS: Online Launch of The Vicar Chronicles NEWS: CGT Tour Dates King Crimson tour with Living Colour Re: Yo Paul KC music coming from KC - Remixes by ORB, etc Re: SBB live? The League of Crafty Guitarists is back in the U.S.! Live version of SBB Starless & Bible Black Tracey Thorn - SABB Re: Final words and thanks on Fripp/Belew Identification and the NST more on Happy Family Then, Now and When Sinfield, Giles, Collins & Boz on video KC and The Beatles multiple drummers Deadweight The Affable Mr. F. DVD Availability rare fripp production "Two Hands" guitar tablature ------------------ A D M I N I S T R I V I A --------------------- POSTS: Please send all posts to newsletter at elephant-talk dot com To UNSUBSCRIBE, or to CHANGE ADDRESS: Send a message with a body of HELP to admin at elephant-talk dot com or use the DIY list machine at http://www.elephant-talk.com/list/ To ASK FOR HELP about your ET subscription: Send a message to: help at elephant-talk dot com ET Web: http://www.elephant-talk.com/ Read the ET FAQ before you post a question at http://www.elephant-talk.com/faq.htm Current TOUR DATES info can always be found at http://www.elephant-talk.com/gigs/tourdates.shtml You can read the most recent ten editions of ET at http://www.elephant-talk.com/newsletter.htm THE ET TEAM: Toby Howard (Moderator), Dan Kirkdorffer (Webmaster) Mike Dickson (List Admin), and a cast of thousands. The views expressed herein are those of the individual authors. ET is produced using John Relph's Digest system v3.7b. ------------------ A I V I R T S I N I M D A --------------------- Date: Thu, 02 Oct 2003 22:22:29 -0700 (PDT) From: Toby Howard (ET Moderator) Subject: NEWS: ET donation scheme Hello everyone Since its foundation in 1991, Elephant Talk has been free, and both the newsletter and ET Web will always be free, as a service maintained BY enthusiasts FOR enthusiasts. However, it costs the ET Team money to produce ET and run ET Web (ISP hosting, Domain Registration, consumables, etc). Until now, we have footed all the bills ourselves. Starting now, however, we'd like to offer ETers the opportunity to make a donation, to help with ET running costs. If you'd like to, head over to http://www.elephant-talk.com, where you will find a PayPal button on the main page. All donations, however modest, will be most gratefully received by us. The funds will be managed by myself, and used strictly for ET maintenance. You have my word on that. (And thank you again to those who have already donated since the scheme went live 2 weeks ago). Of course, we don't want anyone to feel any obligation. I reassure you that ET will remain free. Best wishes Toby ------------------------------ Date: Fri, 19 Sep 2003 22:22:29 -0700 (PDT) From: The Vicar Subject: NEWS: Online Launch of The Vicar Chronicles The enigmatic music producer has finally agreed to reveal all to his followers, by posting his books The Vicar Chronicles, online on the dgm site www.disciplineglobalmobile.com/thevicar. The Vicar's much maligned and downtrodden assistant, Punk Sanderson, is posting half a chapter a day, whilst also responding to readers' comments. This is fast becoming essential reading for anyone needing a daily fix of indulgence, entertainment and updates on the sordid interior world of the music industry. !A music industry soap opera live on the dgm site! A few choice quotes from existing readers : You're all over the place, Mr. Sanderson, and I love it. The Chronicles just get screwier and screwier. Please continue to entertain me in the style to which I've grown accustomed Somewhere, on some parallel plane of existence, you're kicking The Sopranos' ass. Who wants some boring old facts presented in the same boring old way? Clapton fans, that's who. Is The Vicar a Clapton fan? For that matter, is The Vicar Clapton? more....must have...more...chronicles.... those whose interests run wider... will recognize the Vicar portrayed in this Chronicle as "Sherlock Holmes" My interest in the Vicar Chronicles knows no bounds. As an ex-record company employee I read it in the manner of someone observing their 500th car accident. Keep up the good work on the spy-thriller. Witness The Process: The Third Chronicle Online ----------------------------------------------- Once the first two chronicles are revealed, Punk will be writing The Third Chronicle live online; letter by letter and word by word, including errors, expletives and all legal edits. Due to start on 3 November 2003, Book Three promises another engaging insight into a world which is increasingly obsessing the public - from The Osbournes to Pop Idol - in which, according to The Vicar, lead players are simply "big people with big egos and even bigger erections". Who is The Vicar? ----------------- This is the question asked by most visitors to Punk's Corner at www.thevicar.com. A few of the suggestions include Robert Fripp, Brian Eno, Daniel Lanois, Peter Gabriel, David Sylvian, Debbie Harry, a Hawkwind drummer, Monica Lewinsky and even Tony Blair. From his writings, the Vicar is a contrary, manipulative, self-obsessed but generous and very English hero. No-one knows his true identity, only that the chronicles are written by a major figure from the music industry who jealously guards his privacy. You can read the Vicar Chronicles online at www.disciplineglobalmobile.com/thevicar and have your say at www.thevicar.com ------------------------------ Date: Fri, 26 Sep 2003 17:56:30 -0600 From: Paul Richards Subject: NEWS: CGT Tour Dates Here are the latest CGT dates, The Europe dates are part of an InsideOut 10 year anniversary tour with CGT, Spock's Beard and Enchant. European Tour October 7 Holland, Utrecht Tivoli 8 Belgium, Verviers Spirit of '66 9 OFF 10 Germany, Hamburg Grosse Freiheit 11 Germany, Bochum Zeche 12 Germany, Berlin Columbia Fritz 13 Germany, Paderborn Capitol 14 Germany, Aschaffenburg Colos-Saal 15 Germany, Munich Backstage 16 Switzerland, Pratteln Z7 17 OFF 18 France, Paris Elysee Montmartre 19 Holland, Zoetermeer Boederij 20 Holland, Tilburg 013 21 OFF 22 UK, London Mean Fiddler 24-26 Boise, ID Northwest Music Conference Mexico Tour 29 Monterrey, Mexico Foro Pro Cultura 30 Travel Day 31 Aguascalientes, Mexico Concert at Teatro del Parque November 01 Guadalajara, Mexico Concert at Hard Rock Cafe 02 Travel Day Travel Day 03 Mexico City, Mexico TBA ------------------------------ Date: Fri, 19 Sep 2003 22:22:29 -0700 (PDT) From: Mark Taylor Subject: King Crimson tour with Living Colour I assume someone else has posted this about King Crimson's upcoming US tour with Living Colour - what a great concert this will be. (from a Living Colour fan blog ) Wednesday, September 17, 2003 Living Colour and King Crimson from our inside source close to the band "We're about 24 hours away from heading back to Europe, but I have a little information (VERY little) regarding the stateside LC / King Crimson tour: It begins Nov. 5 in Denver. The other cities (9 dates in all) are Minneapolis, Chicago (2 nights?),Detroit, Montreal, Boston, New York and Philadelphia. That's all I know right now, so don't ask about specific days or venues. I'll probably know more while in Europe. ------------------------------ Date: Sat, 20 Sep 2003 00:02:22 +0200 From: Sergio_Alvarez Subject: KC music coming from Hi ETalkers: I think Level five coming from Sailor's tale, second part, directly. Look at the guitar riff. Dangerous curves coming from Mars (not Devil's triangle). Fripp plays the first note of Holst theme and sustains the idea, but with another melodic material. The relation between both "ostinatos" (riffs?) (sorry by my English) is clear, and the form too, including the final chord effect. EleKtrik from FracKtured, I have a dream from Vrooom code... "Coming from": not a repetition, not a variation, "rewriting"? maybe. A very interesting musical idea. A "replacement" sounds better. As to quit a section of a piece and replace by other with the same function.The previous repertoire as a fountain of inspiration / work. ?Opinions about it? Somebody knows who is The Vicar? In my opinion there is no relation Airbag / Starless. Two Drums: Hearing to "The Bloomdaddies" Best wishes, Sergio A. / supermohoso at jazzfree dot com ------------------------------ Date: Fri, 19 Sep 2003 19:14:56 -0400 From: "David" Subject: KC - Remixes by ORB, Orbital, Kruder & Dorfmeister, Aphex Twin... With the numerous posts on remixes that are popping up with now, this seems on the money. Back in mid August, I submitted a "Sunday Sermon" to The Vicar. Here's what I was preaching. :-) Dear Vicar - I suspect this idea has been floated before by a few people.... but what about an album of KC tracks remixed by the likes of ORB, Orbital, Aphex Twin, Underworld, The Chemical Brothers, Groove Armada, Talvin Singh, Kruder & Dorfmeister, and other really well known purveyors of the remix genre? A recent "YES" remix project falls a little flat, perhaps because the "remixer's" ideas weren't as interesting as what was remixed.... I suspect, (perhaps naively) that if Robert Fripp were to call any of the above named artists and ask if they might be interested in rendering a King Crimson remix, over 50% would say yes. And I suspect work on such an album would be an interesting audience-opening and new contact building experience. What do you think? David Kirkdorffer ------------------------------ Date: Sat, 20 Sep 2003 09:16:16 -0400 From: "Craig J. Clark" Subject: Re: SBB live? Manek Dubash wrote: > > Does anyone know if KC EVR played (and recorded the strack Starless & > Bible Black live? I don't think they did or ever have/will do. Please > prove me wrong. Well, that depends on which version you mean -- although in both cases they have. The instrumental "Starless and Bible Black," from the album of the same name, was a live improv recording and can be found on "The Night Watch." The song "Starless," from "Red," can found in a live rendition on "The Great Deceiver" box set. (Twice actually, recorded at shows two months apart.) -- Craig J. Clark "I believe -- so strongly -- in mayonnaise." cjclark at earthlink dot net --Elmo Oxygen, http://home.earthlink.net/~cjclark denizen of for the uneasily amused --> http://dada.warped.com Schizopolis ------------------------------ Date: Sat, 20 Sep 2003 07:24:41 -0700 From: "Sandra" Subject: The League of Crafty Guitarists is back in the U.S.! Several gigs are scheduled in Atlanta, and more are coming. http://www.guitarcraft.com/atlanta%20gigs.htm ------------------------------ Date: Sat, 20 Sep 2003 19:35:50 +0100 From: Craig Ward Subject: Live version of SBB Manek, Starless And Bible Black is a live improvisation recorded at the Concertgebouw gig in Amsterdam, and is, therefore, the only existing version of the song. Craig ------------------------------ Date: Sat, 20 Sep 2003 15:27:20 EDT From: GenoTT at aol dot com Subject: Starless & Bible Black >Does anyone know if KC EVR played (and recorded the strack Starless & >Bible Black live? I don't think they did or ever have/will do. Please >prove me wrong. On the contrary, they never did it in the studio. The track "Starless & Bible Black" was a live improv they included on the album with the audience noise wiped out. They might have done other improvs at the time based around a similar pattern, but the beauty of it is that they never happen again. Moving on, and all that. -g ------------------------------ Date: Sun, 21 Sep 2003 17:35:42 -0700 (PDT) From: "Edgar Kausel E." Subject: Tracey Thorn - SABB Hi all, I remember a couple of years ago, when Fripp said that he was interested in playing sometime with Bjork. I-m wondering what he thinks about Tracey Thorn ("Everything but the girl"-s vocalist). I think she-s got a nice voice and the way she sings is similar to that of David Sylvian. Related to this, there is a song in the CD "Like the desserts miss the rain" called "Single", remixed by Photek. In the CD booklet, it says he uses a sample of "Starless and Bible Black" by a pianist called Stan Tracey. I searched through the web, and found that Tracey has an album called "Under Milk Wood" inspired in Dylan Thomas oevre. Has anyone listened to this? Any relationship with KC-song? Edgar Yahoo! SiteBuilder - Free, easy-to-use web site design software http://sitebuilder.yahoo.com ------------------------------ Date: Mon, 22 Sep 2003 03:08:13 +0100 From: "Antonio Maria Correia" Subject: Re: Final words and thanks on Fripp/Belew Identification Hello once more. In response to Rikard Grankvist again: On the NST: "even though chords are easier and typical Fripp playing alike, small moves are generally harder." yap, i agree. in order to play small intervals you need to rely on the same string and use 5/6 frets instead of 4/5. I am used to chords that stretch for 6 frets, so its not a problem for me tho. "Another way is to simply use 4 fret positions, but change them all the time. This is probably how Fripp usually plays" yap. i have seen him live twice and have a hefty amount of fripp's video footage, and he does seem to play very tight chords on the NST, without enormous stretching. that's part of the reason the amplitude why the tuning is wider, i think. "Dinosaur solo" Well, i cant really remember it to perfection at the moment, and as far as i remember, only Robert plays a solo there. In general though, i can report to one of the most amazing solos i've seen by Robert, which is the The Sheltering Sky performance on The Noise (frejus 82) video. If you take notice, specially in the beginning of the solo, Robert's sound is amazingly dry and direct - which is much more difficult to play with. I think there are four possibilities here that i can think of, two of which you've stated before. One - it might be that the sound effect he's using cuts him off as soon he unpresses the string (acute finger pressure is needed - not a problem for Robert); two - no sound effect, just him unpressing the string (even more acute finger pressure); three - very quick sound pedal, cutting him off as soon as he stops the lick (meaning he would have to put it back to its former volume - not a guarantee for a perfomer, might fail, though one might handle it, im not sure); four - all of the above. even so, there's some detail back at you lol Antonio Maria Correia ------------------------------ Date: Mon, 22 Sep 2003 19:14:47 -0400 From: "m.k. smith" Subject: more on Happy Family Regarding the analysis I did on Lizard's Happy Family in the last ET: I forgot to comment on the line: "Let the sergeant mirror spin, if we lose the barbers win..." at the end. Our work will be mirrored, influencing the industry and other groups (like KC); if we fail to make an progressive impact, the blood letters of commercialism and soulless record companies will take over (which for the most part they have). Matthew K. Smith ------------------------------ Date: Mon, 22 Sep 2003 19:15:32 -0500 From: Paul MacFarlane Subject: Then, Now and When With nothing but love I post this: Krimso alas, has been besotted with a fixed anchor on its past at all times of its existence. "Back then they were so..." and countless innocent musings about track this and track that from album this and concert that. So, with limitless respect to you all, I ask you to instead consider the now, not the then. Now was when Ian McDonald played that searing sax solo in "21st Century Schizoid Man" at Hyde Park when you heard it, not when you remember it. Now was when Mel Collins danced his flute so softly on "Cadence and Cascade" in the studio and you played that vinyl for the first time. Now was when John Wetton turned up his bass amp, stepped on his fuzz/wah and blasted poor David Cross and half the audience into the deliciously grimy pot of the unknown in early 1974 and you heard it for the first time. Now was when Mssrs Fripp, Bruford, Levin, Mastelotto, Gunn and Belew ripped your head off with the sound of hell unleashed on the wings on angels on "Dinosaur" when you sat in the audience and didn't know what was coming next. The fact that KC's music exists on replayable disks lets their original energy into our system to make a home as we construKCt it in our hearts minds and souls. This is magick, this is sublime, this is beauty. It is highly personal and replicable on such personal, subjective levels. But the band itself exists and has always existed in the Now, that fleeting, slippery place where the unknown, the madness and innocence of their craft crash and boil, simmer and evaporate as the formless becomes the formed in a space undefinable and gorgeous. The Now, the Next, the What If? I am so sure of this after years of witnessing their work. After countless moments where I can be dissolved in the act of musical and spiritual discovery. KC is the perfect talisman of this reality of this existence of this between state where color, light, sound and vibration meet. KC drives me to create equally slippery bits of challenging, powerful, delicate, transformational beauty when I take instrument in hand, when I relax, open up and let music play me. Thank you to you all for creating, playing, listening, sharing, debating and loving this body of sublime work. Paul MacFarlane Co-Owner/Managing Director t h e 9 . 0 3 e x p e r i m e n t 415 North Tenth Street 3rd floor St. Louis, Missouri USA 63101 voice: 314 621.0220 fax: 314 421.5954 my personal wireless number: 314 398.1453 www.the1101experiment.org ------------------------------ Date: Tue, 23 Sep 2003 23:03:45 -0400 From: "Louis Sormany" Subject: Sinfield, Giles, Collins & Boz on video If you go on the following site: http://www.songsouponsea.com/ you will find video and audio excerpts of a program on Spanish TV in 1982 with Peter Sinfield's Friends, including Mike Giles, Mel Collins and Boz. A rare chance to see those musicians! Enjoy it. Louis ------------------------------ Date: Wed, 24 Sep 2003 09:39:43 -0400 From: Don Cooper Subject: KC and The Beatles Speaking of Tony Levin, I came to be interested in KC because I knew of Tony's involvement on "Double Fantasy". I had friends who like the '70's KC, but I never listened to their music of that period until much later. Two magazines, Musician and Output, were instrumental in exposing me to Fripp and Eno in the late '70's / early '80's. I would read those interviews over and over. They are still favorites after all this time. "McCartney II" was released in the Summer of 1980. I read the Musician interview at the time, but it was not as interesting as the Fripp diaries, as I felt Paul had already peaked with his first album ten years earlier. I'm not surprised that he didn't acknowledge Fripp or Eno. In retrospect, I feel that KC did pick up the Beatles' torch in 1969 when they broke up. Don ------------------------------ Date: Wed, 24 Sep 2003 20:06:11 -0400 From: markland dot keener at verizon dot net Subject: multiple drummers This may be the last word on multiple drummers in rock. I recently picked up a CD at a local record show by a group called Concussion Ensemble. The instrumental lineup is 2 guitars, 1 bass, 3 drummers, and 1 "junk" player. Judging from the photo on the cover, it looks like two of the drummers have "complete" sets while one has tom-toms and cymbals. As for the "junk," it is reminscent of the items that Muir had. Conincidentally, the group tends to sound something like the instrumentals from Larks' Tongues... The group does not use vocals. Give it a listen if you can. David ------------------------------ Date: Thu, 25 Sep 2003 18:13:58 EDT From: Mikewyz at aol dot com Subject: Deadweight I haven't been this exciting about a new band in a while, but I recently came across this group while checkout out the mp3s at the Alternative Tentacles (yes, Jello Biafra's label) website. I got the disc and it's incredible punk-prog. AT calls them "Metal power taken to new dimensions. Far beyond the math-rock ghetto with the finesse of a Mr. Bungle or Victim's Family and the accessability and soaring chorus hooks of the almighty NoMeansNo." Want another plug? "They rock! They're fantastic - a fine violinist and cellist, the different colors their instruments can take, the different rhythms are unbelievable." - Dave Harrington of the Kronos Quartet Their own website is www.deadweightsf.com but that's a Flash-heavy monster. Try the Alternative Tentacles site. Check the mp3s at: http://www.alternativetentacles.com/product.php?product=666&sd=aLIw4TVXx9JIxcG61lg if you want it, get it straight from the label, it's a nice operation and it'll be cheaper than from Amazon. MW PS - Crim with Living Colour @ the Beacon in November! woohoo! PPS - shameless plug: http://www.nottheonion.com ------------------------------ Date: Fri, 26 Sep 2003 16:40:41 +0400 From: "Andrei Rouliakov" Subject: The Affable Mr. F. Hello, Earnest Bearded Young Men and Earnest Bearded Young Ladies! A quote from the online diary entry of Mr. F., concerning distribution in different regions. "Monday 15th. September, 2003 ... Distribution in Russia is irrelevant, because it's all bootlegs." Well, here comes another totally uninformed "final statement". I am a long-ago Crimhead, though I started collecting their CDs only last year. Now I have more than a hundred of KC and KC-related releases, and not a single pirate copy. It was not very easy to get the CDs I wanted, because I only buy genuine releases, and KC stuff is very underrepresented in the local market. There are lots of people who never buy bootlegs, and the genuine CD market is well-developed. Instead of making such "statements", it could be better to consult Mr. B, Mr. G and Mr. M, who did their autograph session in one of the best local CD stores. The store has thousands of releases, all of which are genuine. And this store is one among about ten stores owner by the magnificient SOYUZ group, who make their best efforts to provide real CDs here in Moscow. Actually, when I handed my copy of CG3+2 to Mr. M. to sign, he was somewhat impressed by the fact that the copy "was a real thing and had his picture in the booklet". It is true that the pirate CD market still exists in Russia, but name a country where there is no such a market. Even some ten years ago, when piracy flourished here, there were stores selling genuine stuff. Now, for example, the pirate videocassette market is almost extinct, and other pirates are really suffering. This, unfortunately, does not apply to MP3 piracy, which is thriving, but this is another story - you can download pirate MP3s for free over the internet from any country, and those servers are located all over the world. The problem is that the distribution of KC-related stuff here is a nightmare. When I started collecting the gatefold 30-th anniversary KC CDs, because of the fact that I did it too late (the first CDs were manufactured about four years ago), I had to pay $37 for each of the first three albums, since only Japanese copies could have been obtained. What is interesting is that genuine CDs of other groups and singers are mostly available and are much cheaper , probably because their distribution companies do not think that "distribution in Russia is irrelevant". I know about the existence of bootleg (read "pirate") jewel box releases of the 30-th anniversary edition, and same releases of almost all KCCC CDs. Those are manufactured here, and are sold as far as in Argentina (so I was informed by one of the ETers). This is definitely pirate stuff. But right now I have to wait for my copies of "Epitaph", "Heavy ConstruKction" and about fifteen other KC- related albums, because those are not distributed locally. The usual way of these CDs from the manufactucter to my shelf is like this: The CD is manufactured somewhere in Europe (like EMI UDEN), then comes to a retail store somewhere in Europe, where it is purchased by some professional Russian "genuine CD hunter", who then resells it to a wholesale warehouse here in Russia, which, in turn, sells it to a retal CD store, where I have the pleasure to buy it at almost twice its original retail price, after having waited for some months for it to arrive. The mail-order is only in its development stage, the problem with it is the reliability of the postal service. A friend of mine once ordered some CDs from abroad, and what actually arrived was a package full of plactic debris and torn paper (which once constituted the CDs he ordered, but was reshaped by the local postal service). So DGM for me is out of the question. I know that they are going to start offering paid MP3 downloads, but this also is not for me, because I am not satisfied by MP3 sound quality (no matter what bitrate is used). I am not personally offended by the diary entry above, but this diary may be read by other musicians and distributors, who then may believe that the statement it is true, and either withdraw from the market, or never enter it at all, which may lead to mutual dissatisfaction between themseleves and local Russian CD buyers, either leading to the total absence of their CDs from the local market, or to the presence of these CDs at twice their real price, or to the increase of demand in the bootleg (pirate) market. Sorry, Andrei Rouliakov P.S. Russia is not in Europe, Russia is in Eurasia. Currently in my CD player: nothing (waiting for some new CDs to arrive) ------------------------------ Date: Sat, 27 Sep 2003 19:07:18 EDT From: Stamperdanny at wmconnect dot com Subject: DVD Availability Now that the new DVD is only days away, why has there been no further mention of the once mentioned "Three of a Perfect Pair/The Noise" 2 on 1 DVD? If two classic King Crimson concerts deserve the DVD treatment, then these two surely do. The performance of "The Sheltering Sky" on "The Noise-Live at Frejus France" is worth the price of the entire video. As is the performance of "Industry" from "Three of a Perfect Pair-Live in Japan". At first, I didn't even care for these two songs that much until I saw these two videos and saw what physical energy is put into these songs, they have become two of my favorites. Robert Fripp's guitar solo in "Sartori in Tangiers" from 3OAPP is breathtaking! ------------------------------ Date: Sun, 28 Sep 2003 07:47:52 EDT From: GORTAY at aol dot com Subject: rare fripp production A rare artifact from Uncle Bobby's brief career as a record producer has just been rereleased. The ablum is question is Keith Tippett's 'Blueprint' from 1972. This was made shortly after the Centipede "Septober Energy" album which Fripp also produced. Whereas "Septober Energy " featured just about everybody who was associated with the UK jazz rock scene (i.e. they were in Soft Machine, they had made tea for Soft Machine or knew someone who had made tea for someone who had attented a Soft Machine gig) "Blue Print" is a small ensemble affair. The album can be found on Turning Point Music TPM02320. The information I have suggests that it is released as an LP but there must be a cd. Beware, Uncle Bobby dosn't actaully weild his axe on either of these albums. On the "Septober Energy" album he was apparantly scheduled to play but was to busy producing whilst on the "Blue Print" album he was solely the producer. On the subject of reissues, there are new editions of David Sylvian's solo albums, remastered and with some new tracks. Gordy. ------------------------------ Date: Thu, 25 Sep 2003 21:40:43 +0200 From: "Francesco De Felice" Subject: "Two Hands" guitar tablature KING CRIMSON : " TWO HANDS "guitar tab (from Beat '82) from: f dot defelice03 at libero dot it=20 simple arpeggios and great jazz voicing >=20 Intro: (repeat) F7+ G4 ---------------0-------------------------------------0-------------------= ----------0--------------------------- ------------------1------------1----------------------------3--3--------3= -----------------3--3-------3-------- --0---2--3---------------------------------------------------------------= 7dim = Adim7b 13-------------------------8-------1-------- ---12--------------------8--------0-------- -------------4--5-------------5------------------------------------------= ---------7---------------------------------------------------------------= outro: (repeat)=20 ------------------------------ End of Elephant Talk Digest #1146 *********************************